Modulos was an extraordinaire band formed in 1969, unfortunately too late for the classic rock of the 60's and when the Spanish labels were not decided for supporting the winds of change coming from the outside. Modulos created an own and distinctive sound without loosing the commercial punch (mainly thanks to the talent of the "magician" Rafael Trabuccelli). In their sound they mixed the inherence of 60s' spanish pop español with the intensity of Vanilla Fudge, the Cantatas of J. S. Bach or the delicious touch of Le Orme. That exceptional band was formed up by Pepe Robles, singer of a very large register, composer and remarkable guitarist. The rhythm section was for other two talented players: Emilio Bueno on bass and G. Reyzabal on drums and also on violin. Finally the chief on Hammond was Tomas Bohorque, howling like never heard before. In addition he played accordion and triangle, providing a characteristic "clinc". Innovative and avant-garde, they take care of their sound to the maximum. They were very professional (the first having an office in Madrid). Their first presentation was prepared until the smallest details. But that was never recognized. Too hard for their time, with too weak words compared to those of bands coming later. Their influences could be found in bands like Vanilla Fudge, Cream, Young Rascals, Italian progressives and lately Yes, but their hippism led them also to the west coast bands. They were pioneers and really good. Not an usual band. Their first three singles become hits but it was their first LP their actual "hit". For the first time in Spain a band gave more importance to the Long Play than to the singles. No one can miss hearing it. One year later (1971) "Variaciones" was released. More optimistic than the former, more "hippy", those nine songs kept a high level.vuelven a mantener un nivel tremendo. In 1973, after another nice single, they made "Plenitud", thir best album for many people. Anyway, some changes were present. Pepe was not at his best in vocals (he was on guitar) and it seemed that the keyboards tried to sound like Yes without achieving their goal. It seemed that they were trying to experiment into progressive rock. 1974: what a pity!. "Modulos 4" points to the other side. Even Reyzabal seems tired when playing drums. It has its moments, but clearly their label (Hispavox) wants another thing. It's decadence. Just when Yes, Genesis, Deep Purple or Pink Floyd were at their best. After a number of line-up changes (Chupi on drums, Sherpa on bass) and singles they released a last LP through Olympo.
Line-up / Musicians
Tomas Bohorquez/Hammond organ,mellotron,accordion,moog
Pepe Robles/vocals,guitar,flute,oboe,bongos
Emilio Bueno/bass
Juan Antonio Garcia Reyzabal/drums,violin
Discography(Album)
Variaciones 1971
1.Un nuevo dia
2.Adios al ayer
3.Solo tu
4.El bandolero
5.Quiero olvidar
6.El sonido del silencio
7.En mis suenos
8.Juan
9.Quisiera conseguir
Listen or download Modulos El Sonido Del Silencio for free on Pleer
Listen or download Modulos Un Nuevo Dia for free on Pleer
Módulos - Variaciones 1971
8:08:00 AM / by алеко / in Crossover Prog, Eclectic Prog, m, Spain /
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